In 1997, she joined with industrial designer Alexandra Stratou
and architect Stella Constantinides to create a breathtaking spiral
made up of alternating conical dips and protrusions in the Sahara
Desert, near the Egyptian town of El Gouna just off the Red Sea. The project, known as Desert Breath, spreads over one million square feet of sand.
While the installation is
still visible from the sky, there are marked signs of weathering. A
body of water that once acted as the work's center point has since
evaporated. The earthen mounds have flattened over time, and cracks can
be seen on the overall surface of the piece. For the artists (known
collectively as D.A.ST. Arteam), Desert Breath's impending demise is the
whole point.
"Through its slow
disintegration, it's become an instrument to measure the passage of
time," says Stratou. And as time has gone on, she adds, she finds she
enjoys the piece more and more.
"The more time passes,
the more it becomes fragile, but it also has developed a more organic
relationship with the site. When it was just made, you could feel the
connection to the shape, but now, it looks like it wasn't made by human
beings at all, and this is something we like a lot."
Through its slow disintegration, it's become an instrument to measure the passage of time
Danae Stratou, D.A.ST. Arteam
Danae Stratou, D.A.ST. Arteam
In fact, to many users of Google Earth,
the site doesn't look man made. Before knowing what it was, several
commenters speculated it was anything from the imprint of an alien
spaceship to the gateway to a parallel universe. A recent discussion on the Google Earth forum led to the work's rediscovery, almost 17 years to the day after it was first built.
"It's surprising that so
many years later it would get all this attention, but on the other hand,
sometimes things find their own moment," Stratou speculates.
"Perhaps people can
appreciate this kind of thing more now than they could back then, when
they were caught up in making money or being famous. Today, we're in a
financial crisis, and perhaps Desert Breath reflects a new humility
people feel, or a new need to connect to nature."
D.A.ST. Arteam spent
nine months constructing the work, with the help of a local construction
crew who donated the tools and manpower to build the site.
Danae Stratou (center) with the other members of D.A.S.T. Arteam on the Desert Breath site in 1997
"I was totally cut off
from Western civilization -- though I found that a positive thing. It
was a huge change in the life I had led up until then. I woke up at four
every morning and worked on the site through to sunset. There weren't
mobile phones back then, so I couldn't even speak to my family in
Greece," she recalls.
There were times when it
seemed the shelf life for the installation would be cut short. In the
early stages of construction, the town of El Gouna experienced the worst
floods it had seen in 60 years. Five years after it was completed, the
government decided to build a new road that cut through the site.
"We had to go back and
negotiate with the governor, who nicely agreed to take the road back a
few meters. For me, it just showed that the biggest danger is people. I
think people are more likely to destroy it than nature itself."
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